2012年4月19日 星期四

<最熟最爛的夏天>--夏宇

<最熟最爛的夏天>--夏宇

夏天沉落在貓眼的鐘面
沉落在栗子色的四肢

17塊一籃的桃子
第四天就開始爛的夏天

曠日廢時地吃著飯整個春天
專注於光顏色和氣氛

觀察葡萄藤的影子移動
後期印象派的最後一個傍晚

光點在吊床上加深
在風吹起的簾子上變淺

顯著的筆觸分割
加上最後一點葡萄就裂開了

                                                               
                                                                     這時候已經是8月
                                                                     差不多要進入野獸派
                                                               
                                                                     再也不能滿足於光
                                                                     同時對氣氛厭倦
          
                                                                     最熟最爛的夏天
                                                                     巵言如葡萄蔓衍

                                                                     同時對風格厭倦
                                                                     風格到底存不存在

                                                                     風格像雪
                                                                     雪是多麼多麼容易弄髒啊

                                                                     雖然雪並不存在
                                                                     吊床更存在
                                  
                                                                     比四月的鳶尾花 6點鐘的茴香酒
                                                                     絕不比一場現場轉播足球賽

                                                                     來訪的客人研究中國古代建築
                                                                     他說現今唯武裝革命最富悲劇性

                                                                     另外就是足球賽
                                                                     我們這樣曠日廢時地吃著飯

                                                                     煙燻鮭魚 螃蟹和龍蝦
                                                                     有人說你看這樣肥大的生蠔

                                                                     如何讓我們的左派傾向
                                                                     找到出口呢

                                                                     1906年 路上遇雨的塞尚回到工作室
                                                                     脫下外套和呢帽 面窗躺著

                                                                     注意到桌上傾倒一籃蘋果
                                                                     The appleness of the apples 蘋果
                                                                     和它的倒影 三個骷髏頭

                                                                     衣櫃和水壺 陶罐
                                                                     半開的抽屜 時鐘

                                                                     他想到比例並不那麼重要
                                                                     桌線對不對齊並不那麼重要

                                                                     他死了
                                                                     閉緊的眼皮上對直的那條線是三點鐘的鐘面
                                                              

                                                                     這樣是不夠的
                                                                     下面輪到馬蒂斯